a living record of black queer drift, held in fragments, traces, and quiet refusals across cities, surfaces, and days.
stood there teaching, not to perform, but to remember. to speak of what refuses extraction. to name what pulses under erasure. black keffiyeh against the chest, kiki futures on the screen. the room knew. not everything had to be said. some things shimmered between us.
#kjipuktuk #drift #blackness #queerness #refusals #fragments #holdings
the conference ended. or maybe it didn’t. people lingered like the performance was still going. hallway laughter. cups half-full. a woman nodding too hard at nothing.
i had asked my question. black faces in every slide, but no data that spoke to us. just placement. just image.
the speaker deflected. clean. soft. the room let it happen.
i stepped outside. cold air, wet pavement, nothing sticking.
then he said it. ben énervé, hein? like anger was the problem. like clarity was a disruption. like i wasn’t still there.
i found him. calm. exact. you don’t get to narrate my presence.
he laughed. i didn’t.
i walked home with the cold in my hands. still here. still mine.
capitalismo mata-nos. not on a banner. not in a book. just a trash bin, tagged on a side street in lisboa.
the message was already decaying, paint dripping down like it knew no one was coming to fix this.
i didn’t take it as warning. i took it as witness.
sometimes the clearest truths live where you’re not supposed to look.
naky held up a portrait like it was a mirror. virgínia quaresma— journalist, lesbian, afro-portuguese. forgotten by design. remembered anyway.
the tour wasn’t quiet. it moved. spoke back. refused the way history gets told without breath, without body.
the archive wasn’t in a museum. it was in his hands. in the cadence. in the way we stopped on cobblestones to make space for her name.
from up here, the city looks soft. terracotta roofs, blue sky, sun warming the stone.
but i know what these walls were built for. how far their reach once stretched. what was claimed from here. what was sent.
it’s beautiful. it’s brutal. it’s both.
sometimes the view is part of the violence.
maybe this is what pause looks like. sun on porcelain. bridge in the distance. book barely opened. the city behind the cup isn’t waiting. it just moves. but for a moment, i don’t.
