sometimes being above it all isn’t about distance. it’s about breath.
the snow kept everything quiet. even the city below. as if the cold had pressed pause.
i wasn’t looking for anything. just letting the light reflect off the ice and the railing hold my weight for a minute longer than usual.
a counter.
a cortado.
a book that doesn’t let you look away.
the sugar on the pastry barely held. like the light outside—thin, unsure.
i wasn’t reading to learn. not exactly. more like remembering with someone who already knew.
there are days when survival is this: coffee warm, pages open, grief in the margins.
the sun was generous. the grass didn’t mind. but the quiet felt too practiced.
i spoke because not speaking would have been a kind of surrender. not to correct. not to clarify. but to stay present, even when presence felt like exposure.
no sirens. no slogans. just fabric, thread, and a sentence that refuses.
it didn’t need to shout. it just held its place. between shadow and sunlight, between the kids and the street.
not everything needs to escalate. sometimes you hang the banner and let it breathe.
the crowd was gone. the chants had faded. but the sign was still in my hands.
i sat down for a moment while i waited for the métro.
travailleur de la santé contre le racisme systémique not a slogan. just a fact i live with and sometimes fight through.
justice pour joyce because grief doesn't end when the protest does.
summer 2020. a balcony, a clothesline, and the masks we wore like breath.
orange. black. floral. each one a gesture, a compromise, a signal.
there was nothing romantic about it— but still, they dried in the sun like any other laundry.
a new kind of intimacy: fabric, filtered air, what we held between us and what we didn’t.
this is not a blog. not a portfolio. not an archive.
drift is a public trace of movement—across cities, across thoughts, across grief, care, and refusal. it began in #tiohtiàke and #kjipuktuk, carried through #glasgow and #lisboa, and continues anywhere i find myself slipping between presence and escape.
its geography is not linear. like all things fugitive, it follows other logics.
what appears here are fragments. notes. pauses. what I carry. what I notice. what resists resolution.
some entries may ripple into fugitives, my postdoctoral research on Black queer drift and the dérive as method. but this is not a workspace.
this is a rhythm. no updates. no announcements. no arguments. only movement.